Composers
Julia Perry
1924 - 1979About
Julia Perry (1924-1979) born in Lexington, Kentucky, is an African American female composer whose career is often referenced in discussions concerning Black and American composers and their success in Europe. Perry was the daughter of Dr. Abe Perry, who once accompanied Roland Hayes on tour. From a young age, musical talent was encouraged, however she did not settle to study the piano until after two years of violin lessons. She received her Bachelor’s and Master’s degree at Westminster Choir College and produced the secular cantata, Chicago, for her thesis in 1948. She continued to study at institutions such as Julliard School of Music and Berkshire Music Center, producing her most famous work Stabat Mater three years later. Between 1952 and 1957, Perry studied abroad in Europe under Nadia Boulanger in France, winning the Boulanger Grand Prix, and Luigi Dallapiccola with two Guggenheim Fellowships in Italy. During this time, she produced her opera, the Cask of Amontillado. After returning home in 1960, she composed Homunculus C.F. and took a position on the faculty of Florida A & M College. Later into the decade, Perry received wide acclaim in the United States and was performed by many notable orchestras including the New York Philharmonic, leading the classical record label, Classical Recordings, to lease some of her compositions in 1969. Having two strokes that affected her ability to compose, Julia Perry died in 1979 at the age of 55, having composed twelve symphonies, two concertos, three operas, and various smaller pieces during her career.
Related Information
http://www.darryltaylor.com/alliance/composers/julia-amanda-perry, http://www.blackpast.org/aah/perry-julia-amanda-1924-1979
Works by Julia Perry
Title | Collection | Voice Type | Range | Poet |
---|---|---|---|---|
'Rock' Soliloquy | Quinary Quixotic Songs | Bass-Baritone | A2-D4 | Julia Perry |
A Monodic Prologue | Quinary Quixotic Songs | Bass-Baritone | F#2-E4 | Julia Perry |
A Short Service | The Mystic Trumpeter | Tenor | Db3-A4 | Walt Whitman |
Alleluia | Mezzo-Soprano | B4 - G#5 | Biblical | |
Ballad | Quinary Quixotic Songs | Bass-Baritone | G2-D4 (opt. F4) | Julia Perry |
By The Sea | High Voice | E4-A5 | Julia Perry | |
Cradle Song No. 1 | Three Cradle Songs | Medium | Bb3-Eb5 | Julia Perry |
Cradle Song No. 2 | Three Cradle Songs | Medium | E4-F#5 | Julia Perry |
Cradle Song No. 3 | Three Cradle Songs | Medium | B3-E5 | Julia Perry |
Exile | Six Contrasts for Baritone and Piano | Baritone | Bb2-Eb4 | Patrica Sides |
Fiesta | Quinary Quixotic Songs | Bass-Baritone | F2-Eb4 | Julia Perry |
Fortune Cookies | Quinary Quixotic Songs | Bass-Baritone | A2-D4 | Julia Perry |
Free at Last | Voice | C4 - A5 | Biblical | |
Fresco | Six Contrasts for Baritone and Piano | Baritone | Bb2-Eb4 | Patrica Sides |
Ghosts for Sale | Six Contrasts for Baritone and Piano | Baritone | C#3-E#4 | Patrica Sides |
How Beautiful are the Feet | Voice | Eb4 - F5 | Isaiah 52:7 | |
I'm a poor lil' orphan in this worl' | Voice | E4 - F#5 | Biblical | |
Lethargy | Six Contrasts for Baritone and Piano | Baritone | Bb2-Eb4 | Patrica Sides |
Lord! What Shall I Do? | G4-A5 | Biblical | ||
Lullaby for Rhoda | Six Contrasts for Baritone and Piano | Baritone | B2-E4 | Patrica Sides |
Our Thanks to Thee | Contralto | B3 - F4 | Julia Perry | |
Parody | C3-G#4 | Patricia Sides | ||
Summer Song | Six Contrasts for Baritone and Piano | Baritone | A3-E4 | Patrica Sides |
Title | Published | Size | Solo with Ensemble | Duration Range | Level | Orchestration |
---|---|---|---|---|---|---|
A Dance For Chamber Orchestra | No | Full Orchestra | Professional | 4[1.2.3/pic.4/pic] 0 0 0 — 4 0 0 0 — sax.tsax — str[no vn or vc] | ||
A Short Piece For Large Orchestra/Study for Orchestra | Yes | Full Orchestra | 5-10 | Professional | 3[1.2.pic] 3[1.2.Eh] 3[1.2.bcl] 3[1.2.cbn] — 4 3 2 1 — tmp+3 — pf/cel — hp — str | |
A Short Piece for Small Orchestra | Yes | Chamber Orchestra | 5-10 | Professional | 2 2 2 2 — 2 2 2 0 — tmp — pf/cel — hp — str | |
A Suite Symphony | No | Full Orchestra | Professional | 2 0 2 2 — ssx, tx — 2 2 2[ten.bs] 0 — 4 perc — pf — mouth harmonica (2nd mvt only) — str | ||
Ariel for Orchestra | No | Professional | ||||
Chicago | No | Professional | ||||
Contretemps for Orchestra (Equation for Orchestra) | No | Full Orchestra | 5-10 | Professional | 3[1.2.3/pic] 2 2 2 —3 0 0 0 — str | |
Episode for Orchestra | No | Professional | ||||
Four Spirituals for Orchestra | No | Full Orchestra | Under 5 | Professional | 3[1.2.pic] 2 2 2 — asx — 4 2 3 1[baritone] — tmp+2 — pf/cel — hp — str | |
Frammenti dalle Lettere di Santa Caterina | Yes | Full Orchestra | Soprano, Chorus [SATB] | 5-10 | Professional | 1 2[1.Eh] 2[1.bcl] 2[1.cbn] — 1 1 1 0 — tmp+2 — hp — str |
Homage to Vivaldi | Yes | Full Orchestra | 5-10 | Professional | 3[1.2.pic] 2 2 2 — asx — 4 2 2 1[baritone] — tmp+3? — hp — str | |
Humunculus, C.F. | Yes | Chamber | 5-10 | Professional | hp — percussion ensemble | |
Liberation for Orchestra | No | Professional | ||||
Module for Orchestra | No | Professional | ||||
Pastoral | Yes | Septet | Under 5 | Professional | Fl, 2 Vns, 2 Vlas, 2 Vcs | |
Piano Concerto | No | Full Orchestra | Professional | 2 2 2 2 — asx — 4 3 2 0 — tmp+2 — str | ||
Piano Concerto No. 2 in Two Uninterrupted Speeds | Yes | Full Orchestra | Professional | 2 2 2 2 — asx — 4 3 2 0 — tmp+2 — str | ||
Prelude for Strings | No | String Orchestra | Under 5 | Professional | strings | |
Requiem for Orchestra | No | Professional | ||||
Seven Sutures for Orchestra | No | Chamber Orchestra | Professional | woodwinds, brass, percussion, viola, string bass | ||
Solstice for Strings | No | String Orchestra | Professional | |||
Soul Symphony | No | Full Orchestra | Professional | 2[1/pic.2/pic] 2 2 2 — tsx — 2 2 2 1[baritone] — tmp+3 — pf/cel — hp — baritone voice — str | ||
Stabat Mater | Yes | String Orchestra | solo alto | 20+ | Professional | str |
Symphony No. 1 / Symphony in One Movement | No | String Ensemble | 5-10 | Professional | violas, string basses | |
Symphony No. 10 "Soul Symphony" | No | Full Orchestra | Professional | |||
Symphony No. 11 "Space Symphony" | No | Professional | ||||
Symphony No. 12 "Simple Symphony" | No | Professional | ||||
Symphony No. 2 | No | Professional | ||||
Symphony No. 3 | No | Full Orchestra | 20+ | Professional | "Large Orchestra" | |
Symphony No. 4 | No | Full Orchestra | 20+ | Professional | "Large Orchestra" | |
Symphony No. 5 | No | Full Orchestra | 10-20 | Professional | 2[1/pic.2/pic] 2 2 2 — tsx — 2 2 2 1[baritone] — tmp+3 — pf/cel — hp — baritone voice — str | |
Symphony No. 6 for Concert Band | Yes | Concert Band | Professional | 3[1/pic.2/pic.3/pic] 3[1.2.Eh] 5[1.2.3.Ebcl,bcl] 3 — ssx.asx.tsx.barsx — 4 6[3tps.3cts] 6[4ten.2bs] 5[2euphs.3 tbas] — tmp+? | ||
Symphony No. 7 (Symphony U.S.A) | No | Chamber Orchestra | Professional | Chorus and Small Orchestra | ||
Symphony No. 8 | No | Professional | ||||
Symphony No. 9 / A Suite Symphony | No | Professional | ||||
The Cask of Amontillado | Yes | Full + Mixed Chorus + Soloists | Baritone, Tenor, Mezzo | 20+ | Professional | 3 Vo, Mx Cho; 2(pic)-1,Eh-E flat,2,b cl-1; 2-1-1-1; timp-perc-hp-pno; str. Cast: Montressor (Br), Fortunado (T), Street Woman (M), A few masqueraders (female vo); mx cho |
Three Spirituals for Orchestra | No | Full Orchestra | 5-10 | Professional | 3[1.2.pic] 2 2 2 — asx — 4 3 3 0 — tmp+2 — pf/cel — hp — str | |
Violin Concerto | Yes | Full Orchestra | Violin | 20+ | Professional | 2222 + 1 T Sax, 3220, timp, perc, hp, pno, str |
Composer | Title | Work | Instrumentation | Level | Number of Movements | Accompanied | Size | Duration Range |
---|---|---|---|---|---|---|---|---|
Julia Perry | Prelude for Piano | Piano | 1 | No | Solo |